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Ray Brown at 100
His Lasting Impact on Bassists
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The Red Clay Strays and Andrew Bishop Tear Into “Don’t Wanna Know” on Late Night
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Don Was Gives the Grateful Dead’s “Blues for Allah” a Detroit Spin
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Uberfrank’s Spellbinder Custom VI Rethinks the Bass VI
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Dingwall Unveils Jared Smith Signature Bass with a Single-Pickup Design
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Uberfrank’s Spellbinder Custom VI Rethinks the Bass VI
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Kardinal Guitars Enters the Low End with the Kardinal Bass
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BOSS Packs 120 Effects Into the New EX-4 Effects Expander
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Ampeg Adds a 4-Ohm Venture VB-212 for Single-Cab Rigs
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WATCH: MonoNeon Goes Off on a Fretless Bass Solo
Billy Sheehan Unleashes the Bass Line Behind Mr. Big’s “Green Tinted Sixties Mind”
Brent Harding Brings the Grit on Social Distortion’s “Tonight”
John Deacon’s Bass Drives Queen’s “Crazy Little Thing Called Love” in Restored Budapest Footage
Nathan East Takes on Jazz Fusion with John McLaughlin at Crossroads 2026
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Keep It Groovy
Three Major Triad Shapes Every Bass Player Should Know
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Bass Gym: Fire Up Your A Minor Pentatonic Chops
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Bass Gym: Put Some Funk in Your Pick Playing
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New Jack Swing
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Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 4
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Groove – Episode #140 Rachel Bolan of Skid Row
Groove Podcast: Marcus Miller | Episode #139
Groove Podcast: Joe Principe of Rise Against
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Don Was Gives the Grateful Dead’s “Blues for Allah” a Detroit Spin
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